My art – Made in New West

In April I became a member of the New West Artists Society and since I never join anything without being prepared to participate I have started to become involved with some of the meetings of the executive-the term Member-at-large has been bantered around.  A few weeks ago we had a meeting with Tej Kainth from New West Tourism where she serves as the marketing and visitor centre coordinator.  She introduced herself saying, “I’m as #NewWest as #NewWest gets, I was born and raised here and I love this city.”

Tej then shared with us the new Made in New West branding the city is adopting and we had to keep it under our hats until the officialMade in New West launch on June 25. Several members of the NWA executive were able to go to the launch and said they had a fabulous time.  This past week the  Made in New West video has been uploaded on YouTube and I’ve found it very inspiring.  My husband and I have a history with this city going back to the mid-1980’s and it is such a delight to see recent growth and change-the video speaks to the new vibe and energy that is palpable as you walk on the streets and go about daily business.  I love the quote about the city from Peter Saran at our favorite local pub, Rivers Reach, “Look at it now, it’s not like it was 10 years ago.  It may be it’s painted with an old brush, it shouldn’t be; it’s time to get new brushes.”

The video also makes me very proud to be a New West artist and to say that my work is Made in New West.

Creative Mulling takes Time

I have found with painting that I’ll have an idea mulling around in my head for days, even weeks.  And then suddenly I just know what I want to paint.  This video illustrates why allowing time and not rushing the creative process is so important.

What every painter desires

In 2011 I was in Ottawa for a medical conference and was able to spend half a day at the National Gallery.  I had always admired the Group of Seven but  it wasn’t until I was face to face with the real paintings of the seven that I understood what tremendous artists they were.  I was nearly moved to tears by the works of Lawren Harris and Tom Thompson.  While there I sketched madly and promised myself that I would do more art, that I would try to start to paint-real painting, fine art on canvas.  And for the past year I have.

When my PaintFest painting, A moonstruck westcoast was hung on the wall at BC Children’s Hospital one of the physicians said to me, “It looks like something done by one of the group of seven.”  His complement took my breathe away.  I was given the gift of being compared to my greatest inspiration.  It’s what every painter desires and I don’t think it can get any better than that.

Lawren Stewart Harris 1885 – 1970

Coldwell Bay North of Lake Superior 1923 Lawren HarrisColdwell Bay North of Lake Superior 1923 Lawren Harris
This painting showed me how to think about how distilling trees and landscape into basic shapes.  It was also my inspiration for using yellow for highlights.

afternoonsunlakesuperiorAfternoon Sun, Lake Superior

1334848035AlgomaCountry_webAlgoma Country, Lawren Harris
A lot of my painting colour palette comes from this vibrant piece.

lawren-harris-oxtongue-riverAPRE-00034-013-01Spring on the Oxtongue River, Lawren Harris
The painting that convinced me that if Lawren Harris didn’t have perfectly shaped trees then I didn’t have to either.

northernisland2Northern Island II, Lawren Harris

Paintfest 1-2A Moonstruck Westcoast by Susan L. Greig